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Reading the script, she realised there was more involved, and went to a lunchtime meeting with Jonze that turned into a nine-hour work session.
‘He kept stressing that he wanted this newness of her to be contagious, and exciting.’ In the end, Johansson says, it took an enormous amount of time to produce her finely nuanced performance.
A harrowing scene on a beach at the start establishes that this is a creature with a chilling lack of empathy, but as Johansson’s character interacts with humans, and experiences acts of kindness as well as aggression, it slowly becomes more human itself, something she has to convey with minimal dialogue.
The film has polarised critics, with some hailing it as a masterpiece and others finding it too disturbing to watch.
She was in the middle of a Broadway revival of Cat on a Hot Tin Roof when the call came in.
She is about to start casting, with filming scheduled for March 2015.
For example, the murder victim may have been a philanderer. This trope is often coupled with Never the Obvious Suspect, where the obvious suspect is used as a red herring, and the real culprit turns out to be someone unexpected.
It turns out the wife was what got him killed, as it turns out, by his girlfriend's jealous husband.
She had to be more subtle, to somehow improvise her way from asking for directions to grilling them about where they were going and who with, to inviting them to hop in.
What her subjects didn’t know was that the van was fitted with hidden cameras, and that the director Jonathan Glazer (Sexy Beast, Birth) and his team were in the back, watching the action and ready to ask the men to sign release forms so the footage could be used in the film they were making, Under the Skin.
Joaquin Phoenix plays a writer on the rebound from a failed marriage, who buys the new OS – voiced by Johansson – and falls in love with it.